Anonymous2: Oh my god, this show has only been out for about a month and a half, and to add to that, an a minute pilot episode is all there is, and there is already porn of this shit? smh, I can't even I thought since cartoon network has been saved by the glorious infinity train, someone had to ruin it
Anonymous6: Why did you turn down the glorious opportunity to fuck my ass, you little bitch? I’ll have you know I graduated at the bottom of my Special Education class and even then it was just to get rid of me, and I’ve been involved in numerous orgies with Al-Quaeda, and I have had over 300 cases of herpes and my already-small dick has nearly disintegrated. I am trained in gorilla humping and I’m the featured dancer in the Faggot Follies chorus line. You are the focus of my life and I want nothing more than your dick in my ass. I will blow you with precision the likes of which has never been seen before on this Earth, mark my fucking words. You think you can get away with rejecting my obsession over your dick? Think again, fucker. As we speak I am contacting my secret network of big-titted topless dancers across the USA so you better prepare for the show, maggot. The orgasm that electrifies the wondrous thing you call your life. You’re fucking dead, kid. I can be anywhere, anytime, and I want you to fuck my ass in over seven hundred ways, and that’s just the warmup. Not only am I extensively trained in ballet, but I have access to dozens of dresses in pastel colors and wear them in beauty pageants and I would love to kiss your gorgeous ass, you little shit (that's my pet name for you to show my adoration; do you like it my love?). If only you could have known what fanatical love your little “clever” comment was about to bring down upon you, maybe you would have held your fucking tongue. But you couldn’t, you didn’t, and now you’re paying the price, you goddamn idiot. I want you to cum all over me so I can drown in it. You’re fucking dead, kiddo.
Anonymous11(10): Bugs Bunny, the linchpin of the Looney Tunes, has been called everything from "classic" to "perennial" to "an American institution" to "one of our national heroes"--and "wascally wabbit," "long-eared galoot," and a lot of other things besides! But most of us just like to call him Bugs.
Now he's starring in Space Jam, Warner Bros.' first original feature film graced by Bugs in a leading role--opposite Michael Jordan, no less! Producer Ivan Reitman and director Joe Pytka head a team of filmmakers including producers Joe Medjuck and Daniel Goldberg, executive producers Ken Ross and David Falk, and screenwriters Leo Benvenuti & Steve Rudnick and Timothy Harris & Herschel Weingrod to bring this ambitious and precedent-setting project to life. Starring with Bugs and Michael Jordan are Wayne Knight, Theresa Randle and the voice of Danny DeVito.
Heading the bill in Space Jam with one of the sports world's most entertaining players is a natural opportunity for the venerable Warner Bros. character. After all, Bugs was voted the most popular in the entire short-subject field in the United States and Canada for the year 1945, and then stayed in the Number One spot for the next 16 years straight. Today, in 1996, Bugs continues to draw a crowd--in fact, a recent survey showed him to be the most popular animated character in the world!
When Bugs' classic cartoons were being made and regularly released to theaters in the 1940s and 1950s, it was his stardom in short subjects that skyrocketed his studio to prominence in the animation field.
Part of Bugs' great achievement had been to establish a strong personality who can exist for 7 minutes at a time, show us a facet of his personality, disappear for weeks, months, maybe years at a time, then reappear and still be recognizeable and entertaining. His possibilities were not exhausted by any single episode.
The trick was not to sustain seven minutes, but to live for 50 years. And once you've sustained 56 years of amazing popularity with one generation after another all over the world, it's hardly likely you're going to have much trouble sustaining a 90 minute feature.
Michael Maltese, one of Bugs' writers, remembered that in the old days, a theater's marquee had to say no more than "2 Bugs Bunny Cartoons" for people to plunk their money down--forgetting what features or other short subjects were playing, forgetting that the "2 Bugs Bunny Cartoons" would be over in 15 minutes--and, most of all, forgetting their troubles. "After a while, Bugs Bunny was so well loved by the audience that he could do no wrong," said Maltese. "They loved the rabbit, and what he stood for."
Friz Freleng, one of the leading directors of Bugs' classic shorts, once remarked, "The cocky characters, for some reason, the public seems to like. They don't like those kinds of people in real life." Mel Blanc, who first provided The Rabbit's voice, believed that "Bugs Bunny appeals to the rebel in all of us. Everybody loves a winner, and Bugs Bunny always wins."
There's a moment in A Hare Grows in Manhattan when Bugs dives into a manhole to escape the bulldog pursuing him, and between the time the dog leaps in the air and the time he reaches the manhole, Bugs has managed to resurface, grab the manhole cover, and pull it into place--turning the dog's face into something resembling a waffle. It's a simple enough gag, but the point is that there is a look of such total delight on Bugs' face as he performs the act, that he turns the whole business into something else altogether, a conflict of viewpoints rather than a physical conflict between two animals.
Bugs is Puck reborn; he enjoys the scrapes he gets into because he knows he'll win eventually. This goes a long way toward making him the irresistible character he is: he holds out the possibility that the Battle is winnable, that we can vanquish the foe and have fun doing it, that every setback can become another challenge, another excuse for high spirits.
This is possibly the critical factor of what we love about Bugs: that he will not only make us laugh but make us feel victorious and triumphant. There are heroes and there are comedians; rarely do the two meet. This made him a difficult character to write for, but it's what gave him that special spark that made him the phenomenon that he has been.
From the time he first asked Elmer Fudd "What's up, Doc?" right up to the release of Space Jam, Bugs has been both sophisticated and naive, innocent and guilty, Child of Nature and Street-Tough Smart Guy, fool and hero, one of the most rounded and all-around characters in the history of film, a multi-faceted gem.
Urbane_Guerrilla: Bugs is erotic and all -- damn few more so -- but you shouldn't think this press release is anything like appropriate in the R*34 context.
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Now he's starring in Space Jam, Warner Bros.' first original feature film graced by Bugs in a leading role--opposite Michael Jordan, no less! Producer Ivan Reitman and director Joe Pytka head a team of filmmakers including producers Joe Medjuck and Daniel Goldberg, executive producers Ken Ross and David Falk, and screenwriters Leo Benvenuti & Steve Rudnick and Timothy Harris & Herschel Weingrod to bring this ambitious and precedent-setting project to life. Starring with Bugs and Michael Jordan are Wayne Knight, Theresa Randle and the voice of Danny DeVito.
Heading the bill in Space Jam with one of the sports world's most entertaining players is a natural opportunity for the venerable Warner Bros. character. After all, Bugs was voted the most popular in the entire short-subject field in the United States and Canada for the year 1945, and then stayed in the Number One spot for the next 16 years straight. Today, in 1996, Bugs continues to draw a crowd--in fact, a recent survey showed him to be the most popular animated character in the world!
When Bugs' classic cartoons were being made and regularly released to theaters in the 1940s and 1950s, it was his stardom in short subjects that skyrocketed his studio to prominence in the animation field.
Part of Bugs' great achievement had been to establish a strong personality who can exist for 7 minutes at a time, show us a facet of his personality, disappear for weeks, months, maybe years at a time, then reappear and still be recognizeable and entertaining. His possibilities were not exhausted by any single episode.
The trick was not to sustain seven minutes, but to live for 50 years. And once you've sustained 56 years of amazing popularity with one generation after another all over the world, it's hardly likely you're going to have much trouble sustaining a 90 minute feature.
Michael Maltese, one of Bugs' writers, remembered that in the old days, a theater's marquee had to say no more than "2 Bugs Bunny Cartoons" for people to plunk their money down--forgetting what features or other short subjects were playing, forgetting that the "2 Bugs Bunny Cartoons" would be over in 15 minutes--and, most of all, forgetting their troubles. "After a while, Bugs Bunny was so well loved by the audience that he could do no wrong," said Maltese. "They loved the rabbit, and what he stood for."
Friz Freleng, one of the leading directors of Bugs' classic shorts, once remarked, "The cocky characters, for some reason, the public seems to like. They don't like those kinds of people in real life." Mel Blanc, who first provided The Rabbit's voice, believed that "Bugs Bunny appeals to the rebel in all of us. Everybody loves a winner, and Bugs Bunny always wins."
There's a moment in A Hare Grows in Manhattan when Bugs dives into a manhole to escape the bulldog pursuing him, and between the time the dog leaps in the air and the time he reaches the manhole, Bugs has managed to resurface, grab the manhole cover, and pull it into place--turning the dog's face into something resembling a waffle. It's a simple enough gag, but the point is that there is a look of such total delight on Bugs' face as he performs the act, that he turns the whole business into something else altogether, a conflict of viewpoints rather than a physical conflict between two animals.
Bugs is Puck reborn; he enjoys the scrapes he gets into because he knows he'll win eventually. This goes a long way toward making him the irresistible character he is: he holds out the possibility that the Battle is winnable, that we can vanquish the foe and have fun doing it, that every setback can become another challenge, another excuse for high spirits.
This is possibly the critical factor of what we love about Bugs: that he will not only make us laugh but make us feel victorious and triumphant. There are heroes and there are comedians; rarely do the two meet. This made him a difficult character to write for, but it's what gave him that special spark that made him the phenomenon that he has been.
From the time he first asked Elmer Fudd "What's up, Doc?" right up to the release of Space Jam, Bugs has been both sophisticated and naive, innocent and guilty, Child of Nature and Street-Tough Smart Guy, fool and hero, one of the most rounded and all-around characters in the history of film, a multi-faceted gem.
A Wild Hare and Beyond
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